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To make everyone happy with my singing.From the original anime series "Vivy -Fluorite Eye's Song-" comes a Nendoroid of Vivy! She comes with three face plates including a standard face, a serious face and a singing face. Matsumoto is also included as an optional part, so enjoy creating all kinds of scenes! Be sure to a
Vivy -Fluorite Eye's Song-
As the end of last week teased, all of the work Vivy and Matsumoto have done throughout the century would seem to be for naught, as all the AIs still go berserk, this time with the added insult of singing Vivy’s song while they slaughter the humans.
Vivy does what she can in her immediate vicinity to stop the berserk AIs from killing, but even when she saves one man, he runs from her in terror. She’s woefully outnumbered and almost hit by a Johnnycab when she’s saved by Matsumoto, who just woke up after fifteen years to learn the Singularity Project was a complete bust.
Osamu’s first reaction is intense sorrow and guilt at having put Diva through a century of burdens and suffering when she was only born to sing. But Diva isn’t the Diva he knew anymore; she’s Vivy, and not only did she not mind the last century of service, but she’s asking him here and now to tell her and Matsumoto how to deal with this.
Once Yui stands down the Toak soldiers suspicious of Vivy and Matsumoto, we learn the details of how Beth is still around: while her body was lost in the Sunrise incident, her data was still on Toak servers, and was uploaded into a new body, but only with memories before Sunrise.
Beth asks Vivy about herself, Yugo, and her sister Estella, and Vivy’s answers comfort her: she was Yugo’s lifekeeper, and Estella carried out her mission until the very end with a smile on her face. Yui produces a recording of Yugo from just before Vivy met Ophelia forty years ago, with Yugo asking Beth to protect the others, a recording that inspired Yui to found the moderate faction of Toak.
Once the group is in a safe (for now) place, they start to put their heads together: which historical event sparks this war, and how can it be avoided? Why is everyone singing Vivy’s song? Also, why haven’t Vivy or Beth lost control like the others?
It seems clear now that Archive is the key. This time, she used Vivy’s song as part of whatever data package altered all AIs’ missions to mass murder. That she’s bringing down a satellite on Arayashiki’s position indicates she may also be trying to end her own existence, leaving the humans and AIs who survive to deal with the aftermath.
Of course, this is all speculation. Suffice it to say, we needed an episode that upped the stakes near the end and put Vivy, Matsumoto, and their allies in a race against time to stop the robo-pocalypse. This episode served that purpose admirably, and with the series’ typical flare for grimly dissonant juxtapositions.
I think the main central theme of this show, and I thank that it is more show instead of tell in this case, is that merely copying an AIs experience data does not result in an actual clone being produced, which is why Elizabeth was a failure, not being a true copy of Estella. If this was the only instance of that, I wouldn’t have made the connection, but even future arcs present this as being the case. With the case when Grace, Diva and Matsumoto shot down Dr. Tatsuya’s suggestion to upload Grace’s data into K-5 as being a viable way to save Grace was another example of this. Now, with this Elizabeth 2.0, it’s a copy of Elizabeth that is not exactly the same and seems to behave differently than the original and even saying directly that it was different than the original. We also had the case with Diva after its reboot that the Diva that came into being acted very diva-like indeed in comparison to who Vivy was then and now, which shows how Vivy could have developed if it hadn’t if it hadn’t come into contact with Matsumoto.










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